WHAT TO EXPECT: OUR APPROACH TO VOICE LESSONS
Classical | Musical Theatre | Opera | Pop | Rock | Spoken Word |
Learning to sing can be an immensely rewarding experience. Unlike other instruments, the voice is a part of you, and learning to use it well opens up virtually limitless possibilities for self-expression.
Example Lesson Progression
A typical voice lesson begins with exercises, also called vocalises, which get you ready to work on repertoire by moving up and down in the vocal range, working on each vowel sound, and engaging the breath. A typical warm-up might start with lip trills, where the student sings notes while making a "trilling" sound with the lips pressed together. This helps to engage the diaphragm in breathing and teaches breath control. Next would come exercises that emphasize each vowel sound: a (pronounced ""ah"), e ("ay" or "eh"), i ("ee"), o ("oh"), and u ("ooh"). These are designed to help you learn to use what are called "pure vowels." They also help the teacher to evaluate how your voice works. Just like fingerprints, no two voices are the same, so a voice teacher must listen to find out how each vowel resonates best in an individual student's voice.
After the warm-up you are ready to begin working on songs, or repertoire. This part of a lesson will vary depending on the style of music you want to learn and how much musical experience you already have. If you don't read music and want to learn classical repertoire, for instance, your teacher will probably start to teach you the basics of music theory while you learn by ear at first. Learning theory is even more important in jazz, as jazz singing involves a lot of improvisation, and you'll need to know chords, chord progressions, and how to read a chord chart in order to improvise and work as a team with instrumentalists. Jazz and classical singing both have a "standard" repertoire, a set of pieces that most people in those fields generally know, and you will probably start out with songs that your teacher chooses from this repertoire. In classical singing, especially opera, the standard repertoire varies according to voice type (sometimes called by the German term "fach"). As you get to know your voice and your tastes, you will start choosing your own pieces.
Whichever style of music you are learning, in the repertoire portion of a lesson you will learn the how the piece you want to sing goes, how to sing it in the best way for your voice, and how to make the emotion in the song come across. If you read music or are able to learn by ear from recordings, you may come to a lesson with a piece already prepared, or your teacher can teach you line by line in the lesson. Next, your teacher will listen and help you use the techniques you learned during the warm-up to sing each part of the piece in a way that flows naturally and easily, resonates well, and doesn't hurt your voice.
The final step is perfecting the expression of a piece. If you are learning an opera aria or a piece from musical theater, this will involve understanding the character you are portraying and what's going on in the play or opera at the point when your song or aria occurs. In other types of music, your teacher will help you analyze the lyrics and music and decide what emotion you want to come across in the piece overall and in different sections. Every style involves a bit of acting, as you use your facial expression and body posture in addition to volume and tone of voice to make the feeling of the music clear. Also in every style, your teacher will encourage you to listen, listen, listen! Listening to recordings of great musicians and attending live performances will aid in every aspect of your learning.
Get Started!
The human voice is one of the last parts of the body to mature, so progression might seem slow at first. Pop singers usually start at younger ages than classical or jazz singers. Voice lessons for younger singers will concentrate more on depth of expression and healthy singing, and less on expanding the vocal range or difficult repertoire. Usually around ages eighteen to early twenties, more taxing repertoire and vocal exercises can be introduced. How quickly you progress also depends on what your musical background is and the style you are learning. It's very common for singers to start lessons later than other instrumentalists, but progress tends to be fast, especially in the beginning. Because learning is primarily done by ear in pop music, a singer can progress very quickly, going from beginning to intermediate in a year or two. Musical theater generally involves at least some reading, so it may take up to two years to advance to the intermediate stage. Moving from beginning to intermediate takes a bit longer in classical singing, two years, or more if you don't read music or you are very young. Classical and jazz are probably the most rigorous styles, both because of the physical demands they make on the voice and because of the amount of theory you need to know. In all styles the move from intermediate to advanced is more difficult and tends to take longer, because the changes you are trying to make in your singing are more subtle. No matter how many years you sing, though, you will find there is always something new to discover.
The Hidden Value of Private Lessons
Staff Writer - March 19th, 2010 10:55 AM PDT
It's easy to think that the benefits of private lessons stop with the subject itself. After all, can having extra-curricular classes really affect your life that much beyond the specific subject you're learning?
The short answer? Yes. The slightly longer answer? Absolutely. There are benefits to having extra, private lessons that you may not even have considered. Here are just a few to think about.

Private lessons can broaden your interests.
There's a whole world of experience out there, and sometimes it's difficult to know where to start. One of the advantages of having a private tutor -- especially one for a subject you might previously have avoided paying any more attention to than absolutely necessary -- is that they're usually pretty knowledgeable about the wide variety of topics that subject contains. If one thing doesn't interest you (say, Civil War history), that's no reason to write off history as a whole. Your tutor might be able to help point you in the direction of new topics that might keep you interested for longer, or books that will become firm favorites. Additionally, it's also possible that reading in one subject will spark your interest in another; after all, despite what school lesson timetables might claim, no subject exists as an island on its own.
Private lessons can give your life structure.
Having set times every week where you know you have to be at a certain place is a great way of diving your time into manageable chunks. Tutor time, music practice time, orchestra, tennis classes, school, after-school job, homework, chores, time to see your friends... delineating all of these into separate categories can help you to stay focused on the task at hand, enriching your experiences both when it's time to work and when it's time to play. It sounds kind of strange, but a lot of people tend to miss losing the additional structure that private lessons can bring when it comes time for them to stop.
Private lessons can change your attitude to work.
It's relatively easy to fake your way through not having read the book if you're in a classroom environment: you just keep your head down and your hand lowered, try not to draw attention to yourself for an hour and hope that one of the other twenty or so students will be picked on instead. If you've ever tried doing that with a one-on-one tutor, you'll soon find that it doesn't work. If you want to get the most out of your extra classes, you absolutely need to keep up with the assigned work. The strange thing is, this pressure to actually do what's required of you rather than procrastinating tends to bleed into other aspects of your life as well. All of a sudden, just sitting down and doing your assigned reading (or practicing your scales, or even getting your paper round done) suddenly don't seem like such a big deal.
Private lessons can build confidence.
Kids who are struggling with a subject or a difficult concept often feel stupid. Why do I need tutoring?, they might find themselves thinking. Why do my classmates just understand this, while I need extra help? What's wrong with me? As such, the idea of being tutored is often seen as a sign of failure, but it doesn't have to be the case. A good tutor will encourage his or her pupil, letting them know that they can, in fact, pass the course in question and that any problems they're having can be fixed. This boost to their confidence can be a great help to someone who previously might have been tempted to just give up, and will hopefully last them far beyond the duration of their classes.
It's as a result of all these factors that people keep turning to private lessons, rather than online courses or other 'teach yourself' methods of education. It really is very difficult to overstate the benefits that can come from building a solid person-to-person relationship with someone who is best able to guide you through the often tricky maze of academia, as well as instilling values and beliefs that will shape your life for years afterwards.
Audience(s): • All Private LessonsVOICE TEACHING JOBS
Do you have a passion for teaching music? Are you experienced, proficient, patient and reliable?We are interested in hearing from you! Learn more
MTN Articles
Learning an instrument -- any instrument -- requires hours and hours of hard work and...
It's easy to think that the benefits of private lessons stop with the subject itself...
Like a lot of kids of my generation, I chose to take up the guitar in my early teens. I...
